Sunday, November 2, 2008

Hill Collection Added To SRAC Exhibit - NEWS RELEASE

From left - right : George Hill, Ted Keir, Tom Vallilee

The Susquehanna River Archaeological Center (SRAC) has recently received another donation of Native Indian artifacts by a local collector. George W. Hill of Lowman, New York donated approximately 300 artifacts and several books after attending SRAC’s “DrumBeats Through Time” event on October 25th. This event included the opening of the SRAC Exhibit Hall which displays thousands of locally found artifacts donated by many collectors from around the region.

SRAC is dedicated to education, research and preservation of the region's Native American archaeological, cultural and historical assets for the communities within the Twin Tier Region of Southeastern NY and Northeastern PA. Prior to the Hill donation, the 5 year old organization had 7 collections donated to them, which until the opening of the Exhibit Hall was created at the Center, remained in storage off site for safe keeping.

Because SRAC is dedicated to preserving local collections, a unique feature of the collections on display includes the collector’s name and picture next to their artifacts. SRAC’s executive director explained, “At this year’s DrumBeats we recognized each collector that donated their collections to us to date. In the future, we will make a special portion of each DrumBeat event to recognize the collectors for that year.” She added, “We do this to make sure that our collectors know that we understand that these artifacts, that many have found themselves, sometimes over a lifetime, are not only scientific evidence, but mementos of a person’s life; and they deserve to be recognized in that way as well.”

SRAC is located at 345 Broad Street in Waverly, NY and houses a large gift shop and exhibit hall that are open from 1-5 pm Tuesdays through Fridays and from 11 – 4pm on Saturdays. Group tours are available to clubs, bus tours and local schools by appointment, and a lecture about our local prehistory is also available upon request. The lecture area, which seats 75 people is also in use for many events throughout each month of the year, and available to rent as well. To learn more about SRAC, visit www.SRACenter.org, or call the Center at (607)-565-7960.


Wednesday, October 29, 2008

SRAC Exhibit Hall

We have over 20 cases FULL OF ARTIFACTS!

On October 25th, 2008, SRAC officially opened its Exhibit Hall at our Center located at 345 Broad Street in Waverly, NY. The Exhibit Hall is jam-packed with thousands of locally found artifacts, most identified by the site they were found at. It is the largest display of locally found Native Indian Artifacts in the region!

How to View the Exhibits:
Exhibits are available to be viewed from 1-5pm Tuesdays through Fridays and Saturdays from 11-3pm. Admission fees are $3 for adults, $1 for seniors and students. SRAC members can view our exhibits during regular hours for free.

Would your group like to schedule a special visit to our Center?
We are happy to facilitate bus trips or educational tours. Presentations about our local history can also be added to the scheduled visit with advance notice and an additional donation of $1 per person attending if your group is not a school. Please contact us to learn more!

Teachers - Would you like to schedule a class trip to our Center?
We are happy to facilitate your class trip to our Center for free throughout the school year! All we ask is that you work with us to schedule this in advance. Please contact us to learn more!


SRAC/Safford Collection


Locally Found Artifacts


Highlights of Our Exhibits Include:

Pottery - a huge collection of different styles of pottery found in our region. If you want to understand the cultures that were in our area and when, the pottery is said to be one of the easiest pieces of evidence to use. We have several pots and hundreds of shards listed by site.

Lithic Library - one of two lithic libraries that we know of with over 100 types of materials that have been used to make our locally found stone artifacts and where that material was quarried. We also have several caches of trade material that was brought in from other regions of the country.


Spanish Hill - one whole case filled with actual artifacts found at this incredible site.


Basic Artifacts of Prehistoric life - In this display we exhibit the basic artifacts used by the people who lived here before the Europeans set foot on the continent. This will give you an insight into the way of life that existed here hundreds to thousands of years ago.


Artifacts by Site - thousands of artifacts are presented by the most well known sites in our region!


Artifacts by Collectors - SRAC is dedicated to acknowledging the collectors that donate their collections to us. Several cases are displayed with the collectors name and picture with it. If you would like more information about how to donate your collection to be shared at SRAC, please click here.


The Best of the Best - We have loaded one huge case with incredible unique pieces that would make any museum proud to own. From ornate bannerstones, pipes, and other items we have no official name for, this display will be sure to make you realize that the people that once lived here surely had better technologies and artistic talents than many thought possible!


Private Collections - We will also exhibit private collections of local artifacts that are rarely seen in public! If you are a private collector and would like to display parts of your collection at SRAC - please contact us.




Wednesday, October 8, 2008

October 25th - SRAC's 5th Annual "DrumBeats Through Time"

The Susquehanna River Archaeological Center of Native Indian Studies (SRAC) will be hosting their 5th annual "DrumBeats Through Time" event at 345 Broad Street in Waverly, NY from 1-6pm on Saturday, October 25th.

The last 4 years, SRAC held their annual event in the Patterson Auditorium on the Guthrie campus in Sayre. Since acquiring their own building in downtown Waverly, SRAC will host the annual event in their own building for the first time. The building, known by locals as the "old Phillie Sales building" or more recently the "Dollar Bazaar" was purchased by SRAC in December 2007. Since then, an outpouring of community support and volunteer work had transformed this once dingy building with walls that were literally crumbling into a the Susquehanna River Archaeological Center complete with a gift shop, lecture hall to date. However, during the event on the 25th, SRAC will have a grand opening of their museum space. One tradition of the event is that along with the thousands of Native American artifacts owned by SRAC there will be many seldom seen private collections owned by SRAC members and friends as well.

This event is our way to celebrate our local prehistory with collectors and the community, and we have never charged an admission fee. We hope that the community takes this opportunity to learn more about SRAC and the unique history of our region. It will be an event that has something for children as well as adults, and will include a few surprises throughout the day.

Event Schedule:

1pm - doors open to view the artifacts and exhibits and gift shop and remain open throughout the event!

1:30pm - 2:30PM “Flowers for the Dead: New Research into the World of the Hopewell Moundbuilder Culture.”
by Dr. DeeAnne Wymer, Bloomsburg University Using traces of organic and other unusual materials preserved in association with ceremonial copper burial objects, Dr. Wymer will give the audience an intimate view of the ceremonies of the ancient Hopewell Moundbuilder culture. Simply a breathtaking presentation!

3 – 4PM “Buffalo Creek“ Native Indian Dancers!
The Village of Waverly will close the street in front of SRAC for this very special opportunity for the community to learn and enjoy the music and dance from these authentic Seneca Native Indian dancers!

4:30 PM – 5:30 SRAC MURAL Unveiling

6pm - doors close

SRAC's DrumBeats Through Time is free to the public to attend.

To learn more about the DrumBeats Through Time event or SRAC, please visit www.SRACenter.org, or call (607)565-7960. SRAC is open from 1-5 pm Tuesdays through Fridays and 11-3pm Saturdays.

Sunday, October 5, 2008

More on the Grid Stone Found at Spanish Hill


Every month SRAC presents "History's Mysteries" and we discuss a part of our history that leaves us scratching our heads. This month's is held this coming Tuesday (October 7th) at 6:30 pm- 7:30 pm and it is on Climate Changes Throughout History - by Greg Burrows.

Last month's topic was about our grid stone that was found on the flats below Spanish Hill in South Waverly, PA.

As fate would have it, I was in an accident the morning I was supposed to give the presentation, but the show did go on as Susan Fogel studied my research that day and gave the presentation for me that night. I really had done alot of work on it and believe it has some significant information that I have mot shared online before. For this reason, I have decided to share the bulk of what I put in this presentation for those of you that are showing interest and live several states away....

For those of you that have not read the basic background on this gridstone, please visit:
http://sracenter.blogspot.com/2008/08/grid-stone-found-at-spanish-hill.html

Questions:
1.) Is it a geofact or an artifact?
This is a question that should be asked anytime that you pick a wierd looking stone...We at SRAC have people every week asking us to look at a stone that looks like it is something to the person that found it - and many times it is just a funny looking rock that was made by nature...

Honestly there were a couple of people who said that they absolutely think that this stone's markings were naturally made.

On the other hand, I have had many more say that they absolutely believe that the markings are man-made.

My opinion is that that I believe that it is man-made...and I think after I show you more that I have discovered, you will too.

2.) Is it a turtle effigy?

As many of you know the turtle plays an important role in many of the creation stories and belief systems in Native American cultures.

To tell you the truth the size and shape of the stone makes it feel like a turtle when you grab it with two hands and pick it up....at first glance, this seems quite possible.

3.) Is the grid stone a ceremonial tablet?

While you may look at this stone and think that it looks alot like our grid stone, you need to know one thing. That is, the largest "tablets" that I know of seem to be around 4 to 5 inches in diameter, and could be easily carried. Our stone is 0ver ten inches at it's widest point, and at least two inches thick. It is also pretty heavy...taking two hands to carry for the average person, and certainly nothing that you want to carry very far...(which is why I didn't take it to WIsconsin to the Man Mound ceremony last August.)

The thing that makes you think that this may just have something to it is that it was found at Spanish Hill, which has 230 foothigh steep sides and had ten acres enclosed with an interior ditch on it's flat top. The interior ditch - I am told absolutely means it was a ceremonial enclosure up there...

So because I am no specialist on tablets, my question is- Are there any tablets as large as ours? I have not seen any yet. This makes me skeptical even though I know that many artifacts and skeletons found in our region were said to be alot larger than average.

Louise Welles Murray -"History of Old Tioga Point and Early Athens -"1908.

"Little attention has ever been paid by students of ethnology to the valley of the Upper Susquehanna...we have resolved here to present in a separate chapter the results of the work of amateur investigators...trusting that more learned students may help us decide to what race belong the almost gigantic skeletons often found..."

The other thing about the other tablets is their lines are cut very straight as if they are cut by using a long knife or device that was the length of the stone making the lines perfect...However our grid stone has lines that are not so straight when you look closely at them. Also - the lines have a coloration in them, and we have not been able to say what made this coloration but it is a charcoal color....Whether or not this makes any difference, I have no idea!

4.) Is the grid stone relative to other rock art found at and around Spanish Hill?

This amulet is about 2 inches long

These were found on a stone much the same as our gridstone.

side 1

side 2



This bird stone was found about less than a mile north of Spanish Hill



This pottery was uncovered less than three miles south of the hill

Is the artwork "phosphenes?"

Phosphene - n. A sensation of light caused by excitation of the retina by mechanical, electrical or other means rather than by light, like when you press your eyeballs through closed lids. They are also commonly seen by those under the power of hallucinatory drugs or trances.

Retired linguistic professor at Northern Arizona University and author Dr. Ekkehart Malotki and I have emailed and discussed this stone. He is convinced these designs are phosphenes, which are as fundamental to art as time is to language. He said that 15 abstract geometric constants appear globally in art created throughout time. They are grids, zigzags and patterns of dots. They are the first objects drawn by children; we doodle them when we talk on the phone.

The only problem that I have with this is that they are usually drawn in a bigger format - - covering an area of a cave wall or large rock. I have not seen any that were portable like this stone of ours, and would be interested if anyone can send me images of these phosphenes on os rock like ours...

Lastly are the lines on the grid stone actually "lines"

For some reason I decided that I would try to see if there was anything that stood out by placing a piece of paper on it and using a pencil and simply going over it completely. The result was not very impressive but when I looked at the reverse side of the paper, I saw that the lines made a raised design that intrigued me. This caused me to used use clay and press it into the top of the stone.

The results of this experiment I think are impressive. Look closely at the picture of the reverse mold below:

Now look at the stone closer...

Are you seeing what I am seeing?

Whether or not you agree that these lines on the grid stone are actually snakes, you cannot deny that these lines have varying widths and a snake-like in design as opposed to lines "cut" straight into the stone. Each line is its own layer as well, showing clearly which was made before the other and on the reverse mold looking like snakes being layed one across another.

especially strange line variance


closeup of the lines with snake-like design on reverse mold

After seeing the reverse mold I end up with more questions than answers.

I think it important to note that the snake-like design is alot more obvious on the reverse mold than the stone itself, as I have seen this stone and handled it for years, but never saw the snake-like design until I made the mold. This makes me think that the stone could have been made as a mold or stamp of some sort.

I look forward to hearing from others about this strange stone and design found on it and seeing if anyone has found anything like this before, and I hope that readers will find this an informative article that allows you to see all that I can possibly give you to help try to figure out what it might be.




Thursday, September 25, 2008

The Waterspirit











Some strange petroglyphs were recorded in 1673 by a French missionary named Father Marquette:

"While skirting some rocks, which by their height and length inspire awe, we saw upon one of them two painted monsters which at first made us afraid, and upon which the boldest savages dare not long rest their eyes. They are as large as a calf: they have horns on their heads like those of a deer, a horrible look, red eyes, a beard like a tiger's, a face somewhat like a man's, a body covered with scales, and so long a tail that it winds all around the body, passing above the head and going back between the legs, ending in a fish's tail. Green, red, and black are the three colors composing the picture." http://www.ancestral.com/cultures/north_america/algonquian.html

These figures, alas, disappeared and no drawings or photographs survived, if, indeed, any were made. By 1838 only one figure was left, and in 1847 the entire rock face was removed for use as construction material.

After years of research on these effigies, I would propose that this strange image described hundreds of years ago is of the Fort Ancient culture "Waterspirit." (view videos here)

Waterspirits were said to rule the underworld and were not inherently bad or good but could be either or, depending on the circumstances. As a result, offerings were reported to be given to the waterspirits by lakes and rivers where the ancients believed they were and demanded respect in the form of offerings.


“Waterspirits can be very dangerous, creating whirlpools that have sucked under many a canoe. In the deep water off Governor's Island in Lake Mendota, there lay a den of Waterspirits who caused great disturbances in the water and overturned canoes. The Waterspirit of Green Lake created whirlpools by swirling her arms up. Those who did not make the proper offerings, would be sucked under.” Charles Edward Brown, Wisconsin Indian Place Legends (Madison: Works Progress Administration, Wisconsin, 1936)

Although we find many references to Waterspirits in Wisconsin, we actually have evidence of this same belief system at work in Pennsylvania.


(http://www.orgsites.com/pa/redbankarch/_pgg4.php3)

Interestingly, this particular Waterspirit shows it's "lifeline" that reaches his heart - which usually is on petroglyphs of hunted beasts and thought to illustrate the hope on the hunter's part to kill the beast. More on that in a bit...

It is important to remember that Waterspirits can (and usually do) assume the shape and form of an animal and even humans, but have their own distinctive theriomorphic shape, (that which was described so clearly above by Marquette,) having a nearly human face, antlers, a scaly body or an endless tail which from my own research is usually drawn in a spiral shape or long and straight. This makes it hard sometimes to pick out a Waterspirit from another form made out of earth or in a petroglyph so long ago - that is, until you realize that if the form is meant to show an animal with Waterspirit mixed with it, there will always be a feature of the waterspirit that you can identify clearly, such as the horns or the spiraled or elongated tail or both.

Another important note is that all of these petroglyphs and mounds have the same style in which they are depicted. In other words....mounds are drawn as full body outlines with very little drawn inside them, the petroglyphs are drawn the same and could actually be thought to be drawings of the mounds themselves- as opposed to stick figures or highly detailed or ornate drawings.

For example, the great Serpent Mound in Ohio which is a serpent with horns and a spiraled tail. The mound is 1/4 of a mile long and is credited to the same Fort Ancient culture that made many effigy mounds in the region for its creation.



There is one specific animal that the waterspirit seems to have been "merged" with more than any other however, and that was a panther.

"There is another representation of one that has a strangely feline appearance, looking like a panther in the fore parts, but having a huge serpentine tail that can wrap round an entire hill. " - Richard L. Dieterle, University of Minnesota,(http://hotcakencyclopedia.com/)


Mound Shapes


On a handful of a occasions, we also have evidence of the waterspirit seemingly merging with a man. Such is the case with those Man Mounds in Sauk County, Wisconsin. I would suggest when merged with a man, that it could very well be that they are representing a medicine-man or shaman who had the powers of this spirit. Whatever the intent, the powers of the Waterspirit are clearly represented.

(Picture made available by The Sauk County Historical Society, Wisocnsin)


(Picture made available by The Sauk County Historical Society, Wisconsin)

And that is also the case for those petroglyph "matches" found on the Susquehanna River:


On a side note: When looking at the petroglyphs at Safe Harbor, I must add that both horned men clearly are making motions of raising or lowering their arms...

"The Waterspirit of Green Lake created whirlpools by swirling her arms up. Those who did not make the proper offerings, would be sucked under.” Charles Edward Brown, Wisconsin Indian Place Legends (Madison: Works Progress Administration, Wisconsin, 1936)

I would suggest then that the petroglyphs were made in a way to portray the wish that that the waters be calmed by the waterpirit/men, or that people should be aware that the waterspirit is making rough waters and that an offering is needed....

Opposition/Balance...
The Fort Ancients believed that the Waterspirit had an enemy that was never far away, that was said to hunt the waterspirit and eat of it's flesh. This was the Thunderbird. Although the Thunderbird is a popular creature of many belief systems in North America, when it is shown with a Waterspirit counterpart and in the design we have described, I would propose that it is being used as a part of the Fort Ancient belief system.

"It is one of the old traditions that when the Thunder Birds or Winaxí first appeared, they lit fires (by lightning) somewhat indiscriminately, striking everything they came across, even to the Waktcéxi or Spirits of the Water and Under Earth, whom they kill and eat of -- that is the Indians say whenever the lightning kills or blasts anything, they "eat it"; ... that is the substance is extracted and taken up. They say that whenever a hill is struck by lightning ... it is because a Waktcéxi is concealed under it (that is in its water-springs) whom the Thunders thus kill and eat." Foster, Foster's Indian Record, vol. 1, #2,: p. 3, col.3, quoting the interpreter Menaige (ca. 1850).



In fact continuing with this opposing force/balance theme - we can see that just as there are Waterspirits merged with men, we also find Thunderbirds merged with men as well:

Mounds in Wisconsin
(click to enlarge above image to read chart)
*note the reference to BIRDMEN
by Sauk County Historical Society



Furthermore, when we take a closer look, we can see that the wherever the Thunderbird or its powers are represented- the Waterspirit or their powers were believed to have existed and vice versa.

Using this thought process, if we look closer at that same Waterspirit that was found at Parker's Landing in PA above, we see that the Thunderbird images are all around the Waterspirit, and as a result the lifeline/hunting motif seems to be very fitting. This petroglyph taken in context again with being on rocks right along a stream that could have had made travel dangerous seems to send a clear message that the artist(s) were calling for a "calming of the waters" for safe passage.


(http://www.orgsites.com/pa/redbankarch/_pgg4.php3)

As I continue to study the mounds and the petroglyphs of the Waterspirits and the Thunderbirds, I have come to believe that there was a "balancing act" that was being used in these works. By this I mean that if the ancient travellers were in fear of dangerous waters, they would try to level out the strong power of the Waterspirit by using the opposing force, the Thunderbird, causing a sort of balance. Thus the more Thunderbirds depicted on the rock, the greater the power of the Waterspirit they were trying to balance out.



Using this theory I have looked at many mounds and petroglyphs over the past few years and without failure it seems that this formula to create balance seems to be in practice as opposed to the popular belief that these images were created to honor any specific spirit or god.

For example - the largest Thunderbird mounds that I know of can be found at the Mendota Mental Health Institute, adjacent to Governor's Island on Lake Mendota...

“Waterspirits can be very dangerous, creating whirlpools that have sucked under many a canoe. In the deep water off Governor's Island in Lake Mendota, there lay a den of Waterspirits who caused great disturbances in the water and overturned canoes"- Charles Edward Brown, Wisconsin Indian Place Legends (Madison: Works Progress Administration, Wisconsin, 1936)

This also seems to have been done in reverse at the great Serpent Mound in Ohio. This mound is placed on a place probably believed to have been VERY strong in Sky Spirit (Thunderbird) since it was built in a huge jut of land that was thrown up into the air after an impact of a meteorite. Thus - if this piece of land were the place where lightening often struck or was believed to be the cause of storms, tornadoes, and other sky-related dangers to the ancients, they very might well have placed the huge horned serpent with a coiled tail on this place in hopes to create a balance that would make their lives more safe.

I could go on - but now that you have the information, I would suggest that you take this and try it out for yourself when trying to explain these motifs that include a Waterspirit and Thunderbird in them and see if it helps you to understand what these pieces of art from so long ago were trying to say.

Questions that still remain:
The tribe referred to as the Winnebagos by the earl
y Europeans in Wisconsin and presently who refer to themselves as "Ho-Chunk"- are said to be the relatives of the Fort Ancient culture who made the great effigy mounds in Wisconsin, Iowa, Ohio and Illinois. Although I cannot say that they founded the belief of the waterspirit and the thunderbirds - I can tell you that it is deeply imbedded in their belief system. As you look at the Winnebago clan circle - you will find the thunderbird clan at the top as well as the waterspirit clan at the bottom.

You can also find the Waterspirit and Thunderbird heavily represented in their region not only in the effigy mounds, but in their legends as well:


I have to believe that the same Fort Ancient Culture must have made the petroglyphs in PA as well. However, very little is known about the people that lived in PA and along the Susquehanna River prior to the Susquehannocks. Still more is unknown about the relationships, trade routes, and reach that a culture such as the Fort Ancients must have had as represented by petroglyphs and mounds that are identical yet over 1,000 miles apart.

I invite you to send me your thoughts on this posting as I realize that it is something that has never been reported before that I am aware of and believe that we all can bring even more research together and possibly find even more associations and important things to share.

We at SRAC consider it our mission to continue to research our prehistory, to share what we know publicly, and to invite others to join the conversation.

It's OUR history, don't let it fade away.


SRAC's 5th Annual DrumBeats Through Time is on October 25, 2008!

Mark Your Calendars! SRAC's 5th Annual DrumBeats Through Time is on October 25, 2008! download flier here

11:30 – 1PM 2008 SRAC Annual Membership Luncheon
SRAC members and invited guests only can attend this special meeting lead by the leaders of SRAC where updates on current projects and goals for the coming year will be shared. A private tour of the building and first look at the special collections of the event will follow in this very personalized portion of our event for our supporters. Lunch will be provided.

1PM - DOORS OPEN TO PUBLIC
LARGEST ARTIFACT EXHIBIT IN THE REGION on display all day!

1:30 – 2:30PM “Flowers for the Dead: New Research into the World of the
Hopewell Moundbuilder Culture.” by Dr. DeeAnne Wymer, Bloomsburg University
Using traces of organic and other unusual materials preserved in association with ceremonial copper burial objects, Dr. Wymer will give the audience an intimate view of the ceremonies of the ancient Hopewell Moundbuilder culture. Simply a breathtaking presentation!

3 – 4PM “Buffalo Creek“ Native Indian Dancers!
The Village of Waverly has agreed have the street closed down for this very special opportunity for the community to learn and enjoy the dance and culture of these authentic Seneca Native Indian dancers!

“DrumBeats Through Time” is held at SRAC at 345 Broad Street Waverly, NY and is Free to the Public!


Monday, September 8, 2008

Monday Sept 15th - All About Our Gridstone and Others Found at Mound Sites

SRAC and the Andaste Chapter of PA Archaeology will be holding their joint meeting on Monday Sept 15th and Deb Twigg, executive director of SRAC will be presenting all the theories about the Gridstone found below Spanish Hill that she has been able to find from other research done on these stones.

This meeting is open and free to the public to attend!

Come and be a part of the research and discussion! (This one could really be a BIGGIE.)

Collectors are always invited to bring pieces from their collections to share and discuss!

Hope to see you there!